Official broadcast partner for the Beach Soccer Championship of Kyiv and Championship of Ukraine — four cameras, four games per week, distributed simultaneously to YouTube, Facebook, and Sport 1 TV.
We were the official broadcast partner for two concurrent championships — city and national — delivering four live games every week for ten weeks straight.
Every session went out simultaneously on YouTube, Facebook, and the Sport 1 TV channel, with slow-motion replays cut for Instagram the same day.
The Kyiv Association of Beach Soccer needed a broadcast partner who could cover two competitions at once — the Beach Soccer Championship of Kyiv and the Beach Soccer Championship of Ukraine — running concurrently across the same matchdays. Four games per Saturday, occasionally spilling into Sunday, for ten weeks in a row.
The output had to work across three very different surfaces: a national TV channel (Sport 1), YouTube, and Facebook. And the sport deserved more than a static wide shot — the fast pace of beach soccer, the spectacular goals, the close officiating calls — all of it needed to land clearly on screen, every week, without gaps in the season.
We built a repeatable 4-camera production at Mistosporty — the same venue, the same workflow, week after week. Consistency was the point: when you broadcast every Saturday for ten weeks, reliability is the product.
Two commentary positions ran throughout each session, giving each game a proper broadcast voice — not a single shared feed rotated across matches.
We produced slow-motion instant replays clipped specifically for Instagram — delivering social-first content while the event was still live, not edited the following week.
Live on-site interviews went out as part of the broadcast — players and coaches, captured at the venue, directly into the show.
Every game went out live to YouTube, Facebook, and Sport 1 TV at the same time, from a single production. A compact crew, one signal chain, three destinations.
The referees started using our recorded coverage to review disputed moments — we became the de facto video review system for the sport.
Kostiantyn Moseichenko — Well Run
The broadcasts drew thousands of views across YouTube and Facebook over the season, building a real and sustained community around beach soccer in Kyiv — not a one-off spike, but week-on-week growth in a sport that had limited broadcast presence before.
Something we didn't plan for became one of the more useful outcomes: referees began using the recorded coverage to review disputed moments between and after matches. The production effectively became a video review tool for officiating — a VAR function the sport had never previously had access to. That's what broadcast-grade footage does when it exists in a sport that previously had none.
Four games per session, every Saturday across a 10-week season — occasionally extending to Saturday–Sunday. All four went out live, covered by a single 4-camera production.
All three simultaneously: YouTube, Facebook, and Sport 1 TV. One production, one signal chain, three live destinations — including a national television channel.
Yes. Slow-motion instant replays were cut and posted to Instagram during the event, and live on-site interviews were produced as part of the broadcast. Social content was delivered while the matches were still hot.
It was. Referees used the recorded coverage to review disputed moments — the production effectively served as a video review and officiating tool for a sport that had not previously had access to one.
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